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Since Netflix, it appears, has vowed to launch anthologies every few months, we get one other one — after Lust Tales, Ghost Tales, Paava Kadhaigal, Pitta Kathalu, and others — within the type of Feels Like Ishq.

It’s a compilation of 5 boy-meets-girl (plus one girl-meets-girl) tale, every lasting roughly half an hour. In contrast to Lust Tales (which additionally handled relationships), the shorts on this anthology are light-hearted. The transient for the writers and filmmakers, it appears, was to give you a “candy love story” that will give the audience — teenagers and 20-somethings — that quintessential “heat, fuzzy” feeling.

The writers and administrators — Monisha Thyagarajan and Ruchir Arun (Save The Da(y)te); Gazal Dhaliwal and Tahira Kashyap Khurrana (Quaranteen Crush); Sulagna Chatterjee and Danish Aslam (She Loves Me, She Loves Me Not); Saurabh George Swamy and Anand Tiwari (Star Host); Arati Rawal and Sachin Kundalkar (Interview); Shubhra Chatterjee and Jaydeep Sarkar (Ishq Mastana) — have sincerely tried to make their tales candy. However after binging the shorts, as an alternative to heat and fuzzy, one feels the nausea of overeating desserts.

Sachin’s The Interview and Danish’s She Loves Me, She Loves Me Not stand out among the many lots.

The Interview is the one movie set exterior the higher/upper-middle-class milieu. Shahana (Zayn Marie Khan) and Rajeev (Neeraj Madhav), belonging to totally different states and faiths, meet at an interview for a salesman place at a digital retailer in Mumbai. She is an enterprising younger girl and he, a Malayali newcomer to the massive metropolis, who struggles together with his language and confidence. Neeraj’s (Moosa in Household Man) efficiency shines probably the most within the anthology.

His character, at one level, confesses to Shahana, “I’m Mohanlal in my village. However, coming right here… my Hindi… Nervous. Absolutely flop.” Together with his Malayalam-laced Hindi, shy smiles, and some mannerisms (like adjusting his wristwatch and clasping the shoulder straps of his backpack), he brings alive a small-town man looking for his ft in a metropolis. The interview can also be the least contrived movie within the sequence.

She Loves Me, She Loves Me Not introduces an unusual, fourth-wall-breaking protagonist, Muskaan (Sanjeeta Bhattacharya), asking “What’s love?” to a customer support agent of a relationship app that she plans to delete on her twenty-third birthday after searching via profiles of some guys. Muskaan falls for her cock-sure colleague, Tarasha (Saba Azad), however is conflicted about revealing her love.

Queer romance in this movie, fortunately, is neither handled as a gimmick nor overemphasized. The brief additionally exhibits considered one of its predominant characters going via an anxiousness assault, one thing that hasn’t been seen in mainstream movies. Like Muskaan tells Tarasha at one level, “In any case, Bollywood wouldn’t get this love story.”The remainder of the movies within the sequence, nevertheless, fall in steadfast Bollywood territory.

Tahira’s Quaranteen Crush is simply perhaps an exception. It explores the nascent romance of a school-going boy in Chandigarh, Maninder (Mihir Ahuja). He likes a lady, Nimmi (Kajol Chugh), who has quickly moved in the subsequent door to quarantine. He befriends her on the pretext of delivering meals. He texts her from his mother’s telephone (he doesn’t have one), pretending to be his mother.

From his home windows, he zooms into her room via the telephone digital camera. However his innocence is established (there’s a humorous scene whereby he expresses awkwardness when his father —a bra salesman — explains the different types and sizes of his merchandise). Then, when he reads an informative article about a few men arrested for stalking his neighbor, he questions his actions. Mihir is convincing as a schoolboy conflicted with these emotions. However, this battle will get resolved too quickly and a contented ending awaits.

In all probability because of the lesser-than-usual screentime, plots and characters appear unnatural or undercooked. It’s extra evident in the remainder of the three movies.

Save The Da(y)te has a bridesmaid (Avni performed by Radhika Madan) and a marriage planner (Jay performed by Amol Parashar) attempting to find the runaway bride, who develops chilly ft on the eve of her marriage ceremony. The author and maker may be needed to speak concerning the professionals and cons of marriage via their protagonists.

So, in what’s alleged to be a high-tense state of affairs whereas they seek for a lacking bride, we get strains like, “Marriage is sort of a mutual fund. Excessive dangers result in excessive rewards, ” and “…they stability one another’s strengths and weaknesses. Communication is the important thing. Operating away isn’t the answer.” There’s a little bit of Geet-Adi (Jab We Met) vibe between the protagonists, however, most frequently they converse like characters from a script fairly than individuals in real life.

If Save The Da(y)te merely references Zoya Akthar’s Zindagi Na Milegi Dobara, Anand Tiwari’s Star Host does a hat-tip (deliberately or in any other case) by making considered one of its protagonists overcome worry and expertise a profoundly life-altering second by doing an adventure-tourism exercise. Like Hrithik’s character in ZNMD, Tara (Simran Jehani) additionally finds love (Aditya performed by Rohit Saraf) throughout a trip.

The ultimate brief, Ishq Mastana, is about within the milieu of protests. The woman (Mehr performed by Tanya Maniktala) here’s an insurgent with a trigger and the man (Kabir performed by Skand Thakur) is self-centered. By way of the movie, we get songs by Kabir Das, discussions on faith, and features like, “I don’t [fight for a cause] to alter the world. I do it for me. So, that this world doesn’t change me.” No line sticks with us, no character sticks with us. All of them appear superficial.

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